To make espresso powder at home, start by selecting high-quality coffee beans and roasting them until they turn dark brown in color. Just like a painter mixes different colors to create a masterpiece, mastering the art of creating homemade espresso powder requires blending various coffee beans until the perfect flavor is achieved. Mastering the Art of Making Espresso Powder Now that you know about the benefits, let’s move on to mastering the art of making espresso powder without missing any important steps. You can choose high-quality beans and roast them to perfection to create a rich, robust flavor that can’t be found in store-bought instant espresso powders.Īdditionally, making your own espresso powder is cost-effective as it allows you to save money on buying expensive pre-packaged products.īy adding a little bit of homemade espresso powder to your morning cup of joe or baked goods, you’ll experience a whole new level of deliciousness! With this simple espresso powder recipe, you can add an intense coffee flavor to any recipe or beverage.īy making your own espresso powder at home, you have complete control over the quality of the ingredients used. Instead of buying instant espresso powder from the store, you can easily make homemade espresso powder using just a few ingredients. Making your own espresso powder at home has numerous benefits, including saving money and having complete control over the quality and flavor of your coffee. The Benefits of Making Espresso Powder at Home
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Here is a great way to recover deleted photos from an external storage device that is attached to a Mac.Note: If you have more than one user account on your Mac, you’ll need to follow these steps for each account. Maybe you even formatted the drive by mistake.ĭon’t panic. So now that you have all of your valuable photos on your external hard drive, what are you going to do if you accidentally delete some of those special memories? You might just be doing some housekeeping on your storage device and inadvertently send some photos to the Trash, which you then delete. Tips to Recover Deleted Photos from an External Hard Drive on Mac Fast transfer speeds are a hallmark of Samsung SSDs and this model is no exception. It features a distinctive aluminum casing and is extremely portable, weighing in at 51 grams. Here is another SSD drive that comes in sizes from 250GB up to 2TB. A good choice if you plan on using your drive in challenging environments. It features high-speed data transfer and is shock and vibration resistant. This drive is available in sizes up to 2TB and since it is an SSD drive, provides enhanced durability over traditional hard drives. It comes formatted for Windows but can be formatted for use on a Mac. It includes WD backup software that can be set to automatically protect your data on a timed schedule. WD My Passport is compatible with USB 3.0 and USB 2.0 interfaces. It is self-powered and features password protection and hardware encryption. You can obtain this external drive in a variety of colors and sizes ranging from 1TB to 4TB. There are many fine external storage devices from which to choose to hold your iPhoto libraries. Nice work.ģ Best External Hard Drives for Storing Photos You have also freed up all of the space that they previously occupied. If you want to immediately free up hard disk space, empty your Trash to permanently delete the photos.Īt the end of this procedure, your external hard drive will contain all of the photos from your Photos library that were previously stored on your Mac.Once you are certain that the process is completed, you can drag the Photo library on your Mac to the Trash. Disconnect your external hard drive and verify that all of your photos are indeed in the Photo library on the device.Select iCloud Photo Library to turn iCloud back on for your Photos. Go to System Preferences > iCloud > Photos > Options.This is mandatory if you use iCLoud with your Photo library. In the Photos app, click on Preferences > General and select ‘Use as System Photo Library’.Click Other Library and navigate to the new location on the external device.When finished copying, hold down the option key ⌥ while launching the Photos app. The elapsed time will vary based on the size of your library. Drag and drop the Photos library icon onto the hard drive icon either in Finder or on your Desktop.Verify that you have enough free space for the library on the external drive. Right click on the Photos library icon and select Get Info.If Pictures is not an option, go into Finder’s Preferences > Sidebar and check the box Pictures. From the left panel in the Finder window, select Pictures.You should see it listed under Locations in the Finder Window. Open a Finder window and verify that your new storage device is correctly attached.We suggest using the same filesystem format that you are using on your internal hard drive. If you have not yet done so, format the drive.Attach your external hard drive to your Mac.Steps to Move your Photos Library to an External Drive Just imagine all of your photos gone for good. This adds a little time to the whole process, but in the event that something goes wrong during the data move, you will be glad that you have that backup. As with any major modification that you will be making to your computer or storage system, we recommend that you make sure that you have a good backup of your device before proceeding. Let’s take a look at how to transfer photos from a Mac to an external hard drive. How to Move Your Photos Library to an External Hard Drive Near the end of the article, we will show you how to recover photos that may be accidentally deleted from your external hard drive. We are going to show you how to do that, as well as point you toward a few externals storage devices that will work very well as repositories for your photo libraries. What you need to do is to move photos from your Mac to an external hard drive. There is a simple solution that can be used whether you earn your living with your photos or just like to take a lot of pictures. WE'LL PULL OUT THE AIR CONDITIONING COMPRESSOR AND THE COMPLETE POWER STEERING SYSTEM, CUT OFF THE STOCK MOTOR MOUNTS, AND GRIND THE FRAME SMOOTH. TO PREP THE ENGINE BAY FOR OUR NEW FIVE LITER DIESEL EVERYTHING HAS GOT TO BE REMOVED. I HAVE TO GET THIS CUMMINS FIVE LITER VEIGHT ENGINE UNDERNEATH THE HOOD OF OUR NISSAN NV 2,500 VAN. NOW EVEN THOUGH I'VE BEEN WAITING FOR PARTS, LUCKY FOR ME, I STILL HAVE A FEW OTHER PROJECTS THAT I HAVE TO DEAL WITH. SO WE'RE READY TO JUMP BACK ON THIS ONE SHORTLY AS WELL. WELL A PALLET JUST SHOWED UP THE OTHER DAY. IF YOU REMEMBER THIS IS OUR FULL ON THROW DOWN ULTRA FOUR STYLE PRERUNNER, AND THE PLAN FROM THE VERY BEGINNING WAS INDEPENDENT FRONT SUSPENSION. NOW OUR '66 BRONCO, I'VE ALSO BEEN WAITING ON SOME PARTS FOR IT AS WELL. I'M JUST WAITING ON A VERY SPECIAL PART THAT WILL ENSURE THAT BOTH REAR AXLES ARE LIVE ON THAT RIG WHEN IT'S COMPLETE. THE BODY IS ACTUALLY OUT OF THE SHOP GETTING SOME BODY WORK DONE TO IT, AND THE REAR SUSPENSION IS JUST ABOUT READY TO GO BACK UNDERNEATH THIS FRAME FOR THE LAST TIME. OUR SIX BY SIX SUBURBAN CHASSIS IS IN MID BUILD. (IAN)> WE'VE GOT A LOT OF PROJECTS ON THE GO IN THE XTREME SHOP LATELY. PLUS THE XOR ADVENTURE JEEP GETS HEAVY DUTY SUSPENSION AND 40 INCHES OF RUBBER. TODAY ON XTREME OFF ROAD WE TAKE YOU STEP BY STEP THROUGH OUR ENGINE SWAP WITH THE INFO YOU NEED TO UPGRADE THE DRIVETRAIN IN YOUR RIG. (NARRATOR)> WE'RE DROPPING A DIESEL TITAN POWER PLANT INTO A NISSAN NV VAN, AND IT'S A TIGHT FIT. During the Hellenistic period, most scholars thought of Koine as the result of the mixture of the four main Ancient Greek dialects, " ἡ ἐκ τῶν τεττάρων συνεστῶσα" (the composition of the Four). The linguistic roots of the Common Greek dialect had been unclear since ancient times. The post-Classical period of Greek thus refers to the creation and evolution of Koine Greek throughout the entire Hellenistic and Roman eras of history until the start of the Middle Ages. The passage into the next period, known as Medieval Greek, is sometimes dated from the foundation of Constantinople by Constantine the Great in 330 AD, but often only from the end of late antiquity. Though elements of Koine Greek took shape in Classical Greece, the post-Classical period of Greek is defined as beginning with the death of Alexander the Great in 323 BC, when cultures under Greek sway in turn began to influence the language. It replaced existing ancient Greek dialects with an everyday form that people anywhere could understand. Under the leadership of Macedon, their newly formed common variety was spoken from the Ptolemaic Kingdom of Egypt to the Seleucid Empire of Mesopotamia. Koine Greek arose as a common dialect within the armies of Alexander the Great. Light blue: areas that were significantly Hellenized.Dark blue: areas where Greek speakers probably were a majority.Modern classicists have often used the former sense. Others chose to refer to Koine as "the dialect of Alexandria" or "Alexandrian dialect" ( ἡ Ἀλεξανδρέων διάλεκτος), or even the universal dialect of its time. When Koine Greek became a language of literature by the first century BC, some people distinguished two forms: written as the literary post-classical form (which should not be confused with Atticism), and vernacular as the day-to-day vernacular. Scholars such as Apollonius Dyscolus (second century AD) and Aelius Herodianus (second century AD) maintained the term koine to refer to the Proto-Greek language, while others used it to refer to any vernacular form of Greek speech which differed somewhat from the literary language. Īncient scholars used the term koine in several different senses. In Modern Greek, the language is referred to as Ελληνιστική Κοινή, "Hellenistic Koiné", in the sense of "Hellenistic supraregional language"). The pronunciation of the word koine itself gradually changed from (close to the Classical Attic pronunciation ) to (close to the Modern Greek ). The word is pronounced / k ɔɪ ˈ n eɪ/, / ˈ k ɔɪ n eɪ/, or / k iː ˈ n iː/ in US English and / ˈ k ɔɪ n iː/ in UK English. The Greek word κοινή ( koinḗ) itself means "common". The English-language name Koine is derived from the Koine Greek term ἡ κοινὴ διάλεκτος ( hē koinḕ diálektos), meaning "the common dialect". Koine Greek continues to be used as the liturgical language of services in the Greek Orthodox Church and in some Greek Catholic churches. The Roman Emperor Marcus Aurelius also wrote his private thoughts in Koine Greek in a work that is now known as The Meditations. In this context, Koine Greek is also known as "Biblical", "New Testament", "ecclesiastical", or "patristic" Greek. Koine is also the language of the Septuagint (the 3rd century BC Greek translation of the Hebrew Bible), the Christian New Testament, and of most early Christian theological writing by the Church Fathers. Literary Koine was the medium of much post-classical Greek literary and scholarly writing, such as the works of Plutarch and Polybius. As the dominant language of the Byzantine Empire, it developed further into Medieval Greek, which then turned into Modern Greek. Koine Greek included styles ranging from conservative literary forms to the spoken vernaculars of the time. It was based mainly on Attic and related Ionic speech forms, with various admixtures brought about through dialect levelling with other varieties. It evolved from the spread of Greek following the conquests of Alexander the Great in the fourth century BC, and served as the lingua franca of much of the Mediterranean region and the Middle East during the following centuries. Koine Greek ( UK: / ˈ k ɔɪ n i/ KOY-nee US: / ˈ k ɔɪ n eɪ/ KOY-nay, / k ɔɪ ˈ n eɪ/ koy- NAY Koine Greek: ἡ κοινὴ διάλεκτος, romanized: hē koinè diálektos, lit.'the common dialect'), also known as Hellenistic Greek, common Attic, the Alexandrian dialect, Biblical Greek or New Testament Greek, was the common supra-regional form of Greek spoken and written during the Hellenistic period, the Roman Empire and the early Byzantine Empire. It should be clear that they’re materials. No matter how complex or advanced the construction is, you’re still using materials and that use should be clear. One of the main criticisms of present architecture would be that the architects are not interested in the materials as materials, as they’re used in the construction. RW: Wherever I could see your architecture, I noticed certain materials you use, and certain kinds of structures you consider when you rework an existing building.ĭJ: Well, a lot of architects over the past thousands of years have thought the materials were very important, and I think the materials are very important - absolutely fundamental. I’ve always had a lot of work by other artists. But all the spaces I lived in New York I reworked for myself - to live in and for my work and for other people’s work. RW: Where was your first architectural project? Was it here in Marfa?ĭJ: It was the building in New York. I’ve been doing it for myself for twenty, thirty, forty years, and happily it’s possible now to do it in cooperation with other people. But I’m thoroughly interested in architecture. But I had already, in a way, fundamentally decided to be an artist. To some extent, when I was in the army in Korea, which was 1947 without a war, I thought of being an architect. I was interested as a child and thought about it and made sketches, which I no longer have. RW: How did you find your way into architecture?ĭJ: I was always interested in architecture. Regina Wyrwoll: I’m very curious, when you give a lecture to students, what do you tell them about architecture? What is the main aspect you emphasize?ĭonald Judd: That’s a very general question and I always have a lot of trouble with general questions. It was Judd’s last interview he died in February 1994. It was conducted in conjunction with Wyroll’s 1994 film Bauhaus, Texas, a documentary made for German television about Donald Judd and his work in Marfa. The following pages present an edited excerpt from an interview that took place on October 4-5, 1993 in Judd’s architecture office and library in Marfa, Texas.
Some servers have a caching time that is too long. Every DNS server and even your computer save the IP addresses behind domain names for a short time to avoid unnecessary requests to other DNS servers. our DNS server, which knows the correct IP address. If this DNS server doesn't know the IP address behind the name, it then asks the next DNS server, e.g. To look up the domain name, your computer asks a DNS server, e.g. in your browser or in your Minecraft client, your computer looks this name up and finds the numbers behind this name to connect to the server. Because humans are not really good at remembering numbers some smart guys invented a system to give names to these numbers, the Domain Name System. Every machine connected to the internet has an IP address composed of different numbers. To explain this, you have to understand the Domain Name System (DNS). Why do I need the DynIP? The Domain Name System Copy it and use enter it as the ip to connect to your server. To view the DynIP, click on the "Connect" button ( i icon when using bedrock or pocketmine) on the server page while your server is online. Unlike the regular IP, the DynIP changes every time you start your server. The DynIP is an alternative IP address for your server that helps you to directly connect to your server. Also, try to refresh the page, and verify again that your server is online. The status on the server page should be green and be labelled with "Online". Please make sure that your server is online if you have problems connecting to your server. If this doesn't work, please continue reading this guide, otherwise: Have fun! Is your server online? Read more details about cracked launchers, especially TLauncher, here. This address includes your server port if "Cracked" is enabled in the options. You can find the server address on the server page. To connect to your server, copy the server address and enter it in your Minecraft client, as a new server or with "Direct Connect". These five features should give you a solid starting point. Now that you know why your library’s website is so important, you may be wondering how to make it as useful as possible for your students. 5 Essential Features to Add to Your School Library’s Website This is especially helpful for library-specific events such as book fairs, author visits, and more. It also provides a virtual space to interact with your community and spread the word about upcoming opportunities. Your library website isn’t just about browsing the catalog or checking if certain books are available. This is especially true in the current global climate, when physical locations may have limited hours or might not be open at all. Your website also gives you an opportunity to extend the advantages your library offers to students or staff who can’t visit in person. For many students, your website might be their first point of contact with the library, so it’s critical that it provides visitors with the same positive experience they’d have at your physical library. Your school library’s website is an extension of the physical library and serves many of the same purposes. It serves as a central hub for learning and gathering, while providing resources to help students achieve academic success. Why Your School Library Website Is ImportantĪll educators know the library plays a vital role in students’ schooling. Whether you’re part of an elementary school, high school, or university, these library tips and examples will help. We’ve also got 8 examples of great school library websites and blogs to share with you. Then we’ll discuss 5 essential features you should include when creating or updating your school library site. In this article, we’ll explain why your website is a key part of your school library experience. After all, studies have consistently shown that school libraries play a significant role in academic success. With a little creativity and a few essential ingredients, you can build an exciting and engaging library website that pushes students to excel in their education. Whatever the library at your school looks like, a high quality website or blog is crucial. School libraries come in all shapes and sizes. |